Creative Equity Toolkit

Canada's Cultural Pluralism in the Arts Movement Ontario (CPAMO)

CPAMO brings together Indigenous and racialised artists, arts organisations and cultural leaders to build a more equitable arts sector in Canada by addressing systemic barriers and expanding opportunities. Through research, leadership programmes and partnerships, CPAMO supports lasting change by helping arts organisations adopt inclusive practices while strengthening the voices and leadership of Indigenous and racialised communities.

Celebrating BIPOC Nonprofit Leaders: The Black Community Building Collaborative

As the nonprofit sector and unmet needs continue to grow, there’s a conscious effort by Black-led organizations to ensure that their services and communities are prioritized. By working to build enduring partnerships rather than transactional relationships with funders, the Black Community Building Collective prioritizes investments in the long-term sustainability of Black-led organizations throughout the community.

Center for Experimental Ethnography’s “Settler Colonialism, Slavery, and the Problem of Decolonizing

Resources from the 2021 conference “Settler Colonialism, Slavery, and the Problem of Decolonizing Museums" co-presented by the Center for Experimental Ethnography and the Penn Museum. The event looked at 're-evaluating practices and asking 'what might repair look like?'. Photo gallery and a decolonisation video playlist.

Image shows mural 'Decolonize And Chill/We Are Still Here', by artist and community activist Jaque Fragua.

Chapter excerpt from The Relationship is the Project

A good primer on "community-engaged practice" and ways to think about working with people in communities and building relationships without gatekeeping.

This book is published in Australia and this chapter excerpt has be posted by the UK based organisation Co-Creating Change

Collaboration with Greek-Australian communities

The British Museum’s controversial collections include the Parthenon Sculptures, or Marbles, taken in 1804 by Thomas Bruce (also known as Lord Elgin) from the Parthenon with the collusion of the Ottoman colonial rulers of Greece and the museum has refused to repatriate them.

When Canberra’s National Museum of Australia (NMA) planned to exhibit 170 Ancient Greek art works housed at the British Museum, they knew they needed the support of the Greek community in Australia. Here's how the did it.