Creative Equity Toolkit

Perth's Portside Review

Portside Review is an international literary journal publishing essays, short stories, and poetry for and from the regions bordering the Indian Ocean. Its principles include:
* Locating your own centre - to liberate from prize and market culture and emphasise community definitions of 'good' writing and art
* Foregrounding cultural and ethnic identity - beyond national borders
* Artist support & pay parity - no matter where an artist is located or how difficult the times

Self-determination in the creative arts: Ben Graetz

Darwin performing artist Ben Graetz has Iwaidja, Malak Malak and Badu Island heritage, was 2018 LGBTI Person of the Year and a member of Browns Mart Theatre First Nations Advisory Board.

'Sophia [Hall] understood that she had to do the work. We were there to give her advice on best practice and it was up to her to do the homework to make the changes and come back to us and go: Is this what you mean? ... she really understood that it was up to her to do the work, not the other way around.'

The Decolonising of Aboriginal Representation on our Screens

Host Leila Gurruwiwi and panel discuss First Peoples' identity, how First Nations people want to be portrayed, and the Australian film and television industry.

The Story of Race: Dianne Jones and Odette Kelada

Ballardong artist Dianne Jones, anglo and Egyptian writer Dr Odette Kelada and Worimi educator and storyteller Genevieve Grieves on the story of race, intercultural collaboration and race literacy.

Kelada: 'People really want to talk about race, they just need to know how to do it.'

Jones: 'We start with the fact that race is a story, and it’s a story that hasn’t been told in a way that’s clear and visible.'

The Unusual Suspects: damaging for Filipino stories

Gloria Demillo writes about how not all representation is productive, and how damaging the impact of bad representation can be to a vulnerable group. The Unusual Suspects and its portrayal of Filipino domestic workers are harmful to ongoing work against worker abuse and exploitation.

Demillo argues that representation should come from community engagement, imploring creatives to consider: who is their real audience, and who should be telling the story?