The Dominance of the White Male Critic
Review of the reviewers, and the dangers of a national art debate that remains 'largely segregated'. It begins with a look at the 2019 Whitney Biennial in the US.
'Several white reviewers faintly praised the show but argued that it wasn’t “radical” enough. In response, Simone Leigh, an artist featured in the Biennial, suggested that reviewers could not detect radicalism in her work because they were unfamiliar with the art, artists and themes she draws from, a criticism others echoed.'
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