Creative Equity Toolkit

How to be a good Indigenous ally

Checklist of seven actions that non-Indigenous people can take to support Australian First Nations communities, including 'preference our voices' and 'be ok with not always being part of the conversation'.

'We need good allies. We are only three per cent of the Australian population. We can’t raise the profile of issues affecting us without our allies. But what does a good ally look like?'

How to be an Antiracist by Ibram X. Kendi

Video in which Ibram X. Kendi introduces his ground-breaking book 'How to be an Antiracist'.

How to be Anti-Racist in the Arts

What does it mean to be an ally to people of colour? What does it mean to remove blackface from our streaming services? And what can the creative sector do to advance racial equity?

Diversity Arts Australia and the British Council launched the Creative Equity Toolkit with this timely conversation in partnership with Sydney Opera House.

How to Bring Your Cultural Identity to Work

Minority employees who share their race, ethnicity or nationality in meaningful ways with colleagues at work can lead to greater inclusivity and respect, according to research from the Wharton School of the University of Pennsylvania. The study found that rich cultural-identity expression that moves beyond superficial discussions to reveal parts of the inner self connected to one’s cultural identity fosters closeness and increases the majority group’s learning.

How to Design and Manage Equity-focused Evaluations

One in a series of UNICEF Evaluation Working Papers that present strategic evaluation findings, lessons learned and innovative evaluation approaches and methodologies. Contextualises and defines Equity-focused Evaluations and outlines how to manage them, including comprehensive tools, templates and case studies.

'I have never stopped': Aileen Moreton-Robinson on 20 years of Talkin' Up to the White Woman

Interview with Goenpul author Aileen Moreton-Robinson on the re-release of her book that critiques feminist constructions of Indigenous women and Indigenous women's constructions of white feminism. The new edition looks at her book's initial reception. The reviews were “playing chicken at the intersection … [their] understanding of how power works limited to subjective and individual choices about being ‘good’ or ‘bad’.”