Creative Equity Toolkit

Watch now: Using First Nations Protocols for Cultural and Intellectual Property in the Arts

Lucy Byrne with Patricia Adjei, Dr Paula Abood, Travis De Vries and Jake Smithers as they discuss the First Nations Protocols. Together they highlight the importance of everyone understanding these Protocols to ensure care of First Nations Intellectual Property through appropriate permissions, acknowledgement and consent. This discussion illustrates how everyone can be an ally in holding these Protocols up to accomplish safe consultation and consent when using First Nation stories & knowledge.

What is community engaged practice?

In this article on ArtsHub, Jade Lillie provides an overview of what community engaged practice is, and how to effectively do it.

"Community engaged practice is an effective way to create great creative and cultural outcomes with artists, practitioners and communities."

When Should You Work For Free? (An Artist's Perspective)

A cogent article that is broadly applicable about paying artists for their work, and presents a compelling argument for why artists shouldn't work for free - and how unpaid labour feeds into deeper issues of inequity and exploitation.

Whitewashed: why does Australian TV have such a problem with race?

Discussion of representation in Australian TV, from the awful stereotypes of the 90s, like Neighbours' first non-white family, the Lims, being accused of eating a dog, to shows that got it right, such as Gary Foley on A Country Practice.

'Crucially, Foley says, he was allowed to write his character himself. “[Creator] Jim Davern rung me up and asked me if I was interested,” Foley told Guardian Australia. “I said I was only interested if I could write my own character and my own dialogue.”'

The Conversation: Why sensitivity readers matter – and should be paid properly

A piece that gives a primer on sensitivity reading that quotes Jinghua Qian, Will Kostakis, Alison Evans - and gives a good introduction on what a sensitivity read is, the importance of sensitivity readers but also the limits of a sensitivity read, and a guide to rates of pay.