Creative Equity Toolkit

Curator/Confidant

Hannah Presley speaks to the curatorial approach that has guided her through working with individual artists, community groups, not-for-profit galleries, international art Biennales and national institutions. Hannah shares her belief in the central role of transparency, vulnerability and humour in forming valuable relationships with artists, and examines the deeper values of knowledge-sharing and exchanging ideas that inform her practice.

Curator Walkthrough: WILAM BIIK

WILAM BIIK is the second exhibition to be presented as part of Yalingwa, a Victorian Government initiative, in partnership with Australian Centre for Contemporary Art and TarraWarra Museum of Art, designed to support the development of outstanding contemporary Indigenous art and curatorial practice.

Decolonising the written word

The ways in which the publishing industry is grappling with the project of decolonisation.

'As an editor, a relatively new part of my brief is to be on the alert for colonial exceptionalism. What has surprised me is the amount of material I would have waved through a few years ago.'

Does the Museum Model Work?

Can art museums break away from their original purpose as a 'civilising' influence to be redefined as spaces that actually serve the communities in which they reside? The article includes quotes from former Queens Museum President and Executive Director Laura Raicovich and Chaédria LaBouvier, the first black curator and black woman to organize an exhibition at the Guggenheim Museum, who spoke out about being sidelined in the promotion of the Jean-Michel Basquiat exhibit she curated.

Ethics and engagement in community art

A discussion of the difficulties of getting engagement right, particularly in rural communities. "An ethics of mutual learning and openness" must offer not just "representation, but also ownership". Shuvangi Khadka adds "outside artists must remain open to their own vision being radically changed via community critique."